I just came across some pretty disturbing information about the time frames involved in legacy publishing. Right now, from the time a book is signed until it’s actually released is…
So I was thinking about my reading habits due to a few discussions on various websites, and I realized something: for the past six months or so, I’ve been reading a ton of indie published books and books published by very small publishers, and very few legacy published books. In fact, most of the legacy published books I’ve read in the past six months were purchased a long time ago and have been sitting in my to-read pile for awhile.
Since I got my Nook Color back in the spring, I’ve read ebooks by Amanda Hocking (indie), Zoe Winters (indie), Lindsay Buroker (indie), Greta van der Rol (small press), Kimberly Menozzi (small press and indie), Poppet (small press), Calista Taylor (indie), and Randolph Lalonde (indie). Print books I’ve read this year only include Stephen King’s Dark Tower Series (which I started reading last year) and Cherie Priest’s Boneshaker. Oh, and some books I either picked up at places like Big Lots (when they’re $2 apiece for a hardcover), or books that have been shared among myself, my mother, and my grandmother (like John Grisham’s A Painted House). Read More What I’m Reading: Indie vs. Legacy
I was driving home from the Call of Duty: Modern Warfare 3 midnight release one night (my husband’s airsoft team always does an appearance at these things) and we got talking about creative pursuits as a career vs as a hobby. It started out, I think, with a discussion of the music industry. Individual recording artists are often upset about the low royalties being paid out from services like Spotify. They get a fraction of a cent for each time their song is played, meaning they have little chance of gaining any kind of real income from these plays. And so they decry the industry and these services, and say they’re what is killing the music industry.
Independent movie producers say the same kinds of things. They only make a few cents (if that) whenever their movie is streamed via Netflix. Unless their film is viewed millions of times, they won’t make much money off of it.
I hear the same kind of thing coming from a lot of authors. If they’re forced to sell their ebooks at $.99, they’re only making $.35 on each sale. They have to sell thousands of copies to make any money. (The same things are said at $2.99, $4.99, and pretty much anything under the price of a mass-market paperback.)
Part of this has to do with the number of celebrities we see in each of these fields, and pretty much every other creative field. We see the J.K. Rowlings, the Stephenie Meyers, the Stephen Kings, of the world, and we think that that’s what success looks like. We think that all we should need to do is write something great (or not so great, depending on your opinion) and the riches should follow. Read More Writing: Career or Hobby?
Earlier this year I published a women’s fiction book, Hold My Hand, but have done very little to promote it (I sent it to a couple of review sites, but…
There seems to be a certain camp in the writing and publishing worlds that feels like selling a novel at $2.99 is somehow devaluing that novel, and novels in general. The idea seems to be that readers will refuse to pay more than $2.99 for novels eventually, and that will somehow topple the publishing industry.
But no one is asking whether readers should pay more than $2.99 for most books. We’ve just accepted that paperbacks are priced at $8.99-$16 and that hardcover books are priced at $20-$30. And so we feel like ebooks should be priced somewhere along that line, too. But does anyone know why a mass market paperback is priced at $9? Or a trade paperback at $16? Or why a hardcover book is $25?
In the 1960s, a paperback book might cost anywhere from 25¢ up to around $.75 or so depending on the length, publisher, genre, author, and specific year (you can find evidence of these prices by looking at old book covers from that era). Now, a lot of these books were shorter than what we’re used to these days, coming in at around 150-200 pages. They were “pocket books”, in their truest sense: they would fit in your pocket. Read More Why $2.99 Doesn’t Devalue Your Work
Wow, it’s hard to believe that I’ve been self-publishing for ten months now! I hit a big milestone this month: I sold my 1,000th ebook! This is a huge deal to me, since most self-published books never sell more than a couple hundred copies. I’ve also had my best sales month to date.
As far as marketing this month, I’ve been plugging a little bit on Google+ and Twitter, which I know has generated a few sales. And I had a couple of new reviews on Amazon (if you’ve read either of the books and feel like leaving a review, I really do appreciate them!), some of which were really favorable. One of my favorite quotes from a review of The Great Healion Race:
This is not Edward and Bella, living in perfection for all eternity. These are two adults with overwhelming baggage as the ballast for their journey. I especially appreciated how Ms. Chapman allowed her protaganists to be messy, angry and human.
Seriously, that’s one of the nicest things anyone has ever said about my books. Because that’s exactly what I was going for: complicated people who have messy, screwed-up lives, and find a way to love each other anyway.
Below are my sales numbers for this month. I saw a drop in sales for the second book, but a big jump in the first book. Hopefully that will translate to more sales for the second book in the next couple of months. Read More Transparency in Indie Publishing, Month 10
This is going to be short and sweet. I recently came across someone on a forum talking about how they wouldn’t recommend self-publishing ebooks via Amazon because then you only…
There’s less than 10 hours left in November (in the EST time zone anyway), and I’m having my best sales month yet for The Steam and Steel Chronicles. I would…
Okay, so I was going to mostly stay out of this debate/conversation (with the exception of a brief status update on Google+), but the more I think about it, the more it pisses me off.
I guess I should start at the beginning. Back in April (?), I signed on as a private beta tester of Penguin’s Book Country site. I had been a relatively early member of Authonomy but that site had gone downhill and I was looking for somewhere new to converse with other writers, get feedback, etc. Book Country looked like the place to be.
I posted some work, got some feedback, had some conversations in the forums, and generally found it to be a decent resource. I kind of stopped using it around mid-summer, though, because I had a lot of stuff going on.
This week, Book Country did something that has made me decide to close my account. They’ve started offering self-publishing services.
Now, I self-publish and have no interest in working with a legacy publisher. Ever. And I understand that not everyone wants to take the time to learn to format their own books. That’s fine. What I take issue with, in Book Country’s case, is their complete and utter price gouging. Their pro package, which offers ebook and print book formatting and uploading and basically nothing else that you couldn’t find with some quick Google searching, is $549. That’s FIVE HUNDRED AND FORTY-NINE DOLLARS. I’m sorry, but under what system is that not a total rip-off? Read More A Rant About Self-Publishing Rip-Offs
As of today, I have sold more than 1,000 ebooks since February! This is a big deal for me, as it means over 1,000 sales in less than 10 months,…